fourpointedstar

When I first saw this hood ornament, I immediately was taken with how fragile and sharp the front piece was. I was then taken with the luster of the copper color of the animal (perhaps a pegasus?). The copper color and the animal’s shape reminded me of the decorations on the Ishtar Gate, and placing that hood ornament with the rich blue backdrop really completed the enchantment.

As I walked north through the Concours, I passed by the painter; so I made a point to stop by and say hi on the way back south. John Paul is from California and was just in Illinois for an art collaboration, and chose to come to the Concours to paint a car or two. Also, the blue Cadillac in the painting was detailed by a friend’s dad’s friend; life really is only 6 degrees of separation from painter to the artist who created the subject of the painting.

The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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Perhaps someday I will grow tired of capturing the Quadracci Pavilion at the Milwaukee Art Museum, but for now, I love visiting that building. The whites and blues and sunlight are the perfect painters of abstract patterns; I can’t wait to go back!

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Why, yes, I did enjoy taking photos of the Chihuly installation at the Milwaukee Art Museum. Some day, Sarah and I will make it out to Seattle to his museum…

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There were several of these kinds of infinite depth items; the previous yellow photo is another example. However, this installation was different, there were more than a dozen of these cubes stacked on each other, and the blue lights’ activity was somewhat responsive to the people passing by. It definitely reminded me of something futuristic, like maybe it represented the vastness of space.

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We took the girls to the WNDR Museum – which if you’re not sure what that is, you should think “Instagram/Snapchat scenes”. It was honestly really cool; and several of the art installations were very well done. Each of the girls found a couple of rooms that they really enjoyed interacting with.

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Some of my favorite images over the years have been my more abstract images and the images with a strong use of negative space. The “bird’s wings” floating in the void of the blue sky was absolutely beautiful on the day of our visit, and I also enjoy the simplicity of the monochrome image.

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Anytime that I visit a location for a second or third time, I want to take photos that are unique to each visit. Which means that with each visit the photos get more challenging but the images get more inventive. The intersection of lines in the pavilion is full of unique images and surprises.

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Each glass facade was a different shade, with the 3rd panes being pink. Overall the exhibit was simple and yet delightful; I’m not one for reading into art, but I definitely enjoyed viewing and attempting to capture the Icebergs uniquely.

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There are always new views and angles at the Milwaukee Art Museum. The spire that supports the suspension bridge is such an understated portion of this entire building. The simplicity of those understated lines leads to the entire building’s exceptional beauty.

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Can 16 pieces of glass arranged in 4 identical sets be photogenic?

After seeing a few fellow photographers capture this installation, I wanted to see the abstract art. I have photographed Calatrava’s Quadracci Pavilion before, and I really enjoyed integrating that architecture with “Iceberg”.

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