fourpointedstar

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When I purchased my Sony camera, I knew that I would want a macro lens (since my old one was for Nikon). I settled on the Laona 100mm f2.8 with manual focus – mostly because it was the least expensive 2x macro (by far). It can be exhausting to get the focus correct, but when it’s right, it’s absolutely lovely!

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There’s a certain delight in seeing the shag carpet look of this moth in the daylight. This beautiful insect just hung there for the entire hour that we were inside the butterfly house at Peggy Notebaert.

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For the past few years, Sarah and I have visited Peggy Notebaert Nature Museum in downtown Chicago; they have a wonderful year-round butterfly sanctuary/exhibit. In the winter, it’s a wonderful break from the cold and grey.
This winter it was way too busy, but we finally made it down there for our anniversary last weekend.

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Whenever I attend car shows, I try to take some time to walk through the spectator’s parking lot. This Mustang was just sitting there, looking angry, waiting for someone to take a photo.
While I was taking the photo, another Mustang owner parked right next to this car and asked me if it was my car – sadly no.

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This was an interesting concept, but poor execution. The idea was that the sparks from the steel wool would look like they were coming out of the tailpipe, but – well, you gotta have your angles right. And since that’s me spinning the steel wool, well, my camera angle was all wrong. Oh well, I still think it’s a cool shot of Keith on his bike.

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Over the past 10 years, the Elgin Area Camera Club has hosted a steel wool photography opportunity three times. This image is from our most recent outing, and I’m actually the one who is spinning the wool in this image – I set up my camera and someone else pushed the shutter, so this is more of a collaborative image, you might say.

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I alway enjoy finding new locations to photograph light trails, and I found this particular spot about 2 years before I finally got down to photograph it. Grand Avenue crosses I-90/94 with a perfect view of the Willis Tower, but there’s also a Metra track there too!
However, that Metra line is not used that often on the weekends, so I will have to go back to capture a better photo with the train light trails too. (Oh, and LED billboards are terrible…)

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Most folks from the Chicago area will recognize that darker building, but why is the light blue building taller? I didn’t notice this trick of angles and perspective when I photographed this scene, but now I love the photo even more.

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The concrete and glass exterior of the building on the south side of Wells becomes the perfect canvas for abstract architecture presented by the stepped exterior of the top of the building on the north side of Wells.

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This fantastic oddity was captured from street level, and I just love all of the distortion. I’ve photographed the curved fascade of the building on the corner of Wells & Hubbard a few times, but always from the 4th or 5th floor of the parking garage with light trails in mind.
(This photo was from a photo walk that I led back in April.)

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The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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Perhaps someday I will grow tired of capturing the Quadracci Pavilion at the Milwaukee Art Museum, but for now, I love visiting that building. The whites and blues and sunlight are the perfect painters of abstract patterns; I can’t wait to go back!

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There are definitely times of the year when Upper Bear Hollow Falls are flowing enough to be impressive, but early April is not one of them.

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