fourpointedstar

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The concrete and glass exterior of the building on the south side of Wells becomes the perfect canvas for abstract architecture presented by the stepped exterior of the top of the building on the north side of Wells.

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This fantastic oddity was captured from street level, and I just love all of the distortion. I’ve photographed the curved fascade of the building on the corner of Wells & Hubbard a few times, but always from the 4th or 5th floor of the parking garage with light trails in mind.
(This photo was from a photo walk that I led back in April.)

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The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Maybe it’s just me, but seeing the Sears/Willis Tower poking out from a scene was THE Chicago moment growing up. For a few years, my family lived on the south side, and it was a contest among the siblings to see who could see the skyline, specifically the Sears Tower, first when we would drive into the city.

On a recent photo walk, I found this little “window” created by the L tracks, the incredible rusty exterior contrasting with the sky, the Willis Tower, and the Merchandise Mart. I had to hop in between traffic on 2 different occasions to get this exposure correct; the afternoon sky was quite the contrast compared with the shadowed steel. This photo is one of my Top 3 favorite recent Chicago photos.

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Sometimes photos just work better in monochrome, but this photo was nearly monochrome all by itself. This Corvette was pristine white and all of the dark accents were DARK – including the windows. Normally I’ll give a nod to the driver of a nice, well kept car like this one, but I don’t know if there was even a human driving it because the window tint was so dark.

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At nearly every car show or meet, it’s difficult to get a great photo of a “cool” car. However, capturing an iconic detail is often a matter of patience.

Everyone has seen a photograph of a Lamborghini which makes photographing a Lamborghini in a unique way an interesting challenge.  How can I photograph this famous supercar in a way that is familiar but also new and interesting?  The direct sunlight helped so much in this photo, bringing out the shine in the rim and the paint job, but I am also fond of the double point in the nose of the car.

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As we were walking out of a store in South Elgin, we watched this highlighter colored McLaren drive by. He parked a few lots down, so naturally I walked over to take a few photos.

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I love photographing abstracts, and some of the coolest abstracts are in landscapes. On my recent work trip to Bakersfield, CA I took a few photos of the various landscape features that caught my attention.
This is St. Joseph, Missouri; and while that airport is in Missouri, everything else to the right (west) of the river is Nebraska. Rivers wind and change course over time, but state lines don’t.

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A month ago at photo club, we had a group of photographers edit various photos so that the club could see various styles and choices. I submitted a few “bad” photos to the group of editors and one of my friends took my bad photo of this 918 Spyder and created an image similar to my edit above. I was amazed at how he’d taken a photo that I’d written off and created something gorgeous!
…to be clear, the image above is my recreation of his edit…

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