fourpointedstar

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Most folks from the Chicago area will recognize that darker building, but why is the light blue building taller? I didn’t notice this trick of angles and perspective when I photographed this scene, but now I love the photo even more.

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The concrete and glass exterior of the building on the south side of Wells becomes the perfect canvas for abstract architecture presented by the stepped exterior of the top of the building on the north side of Wells.

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This fantastic oddity was captured from street level, and I just love all of the distortion. I’ve photographed the curved fascade of the building on the corner of Wells & Hubbard a few times, but always from the 4th or 5th floor of the parking garage with light trails in mind.
(This photo was from a photo walk that I led back in April.)

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The shadows from the melting ice or snow rolling down the glass were the perfect addition to all of the angles in this photo.

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Santiago Calatrava’s buildings never fail to impress. They’re almost always futuristic, but often can be mistaken for an animal in some kind of animated reality. Even his art installation in Chicago has a fluid and natural motion to it.

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If you crane your neck and look UP under Calatrava’s wonderful design, the view is magnificent!

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Perhaps someday I will grow tired of capturing the Quadracci Pavilion at the Milwaukee Art Museum, but for now, I love visiting that building. The whites and blues and sunlight are the perfect painters of abstract patterns; I can’t wait to go back!

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I’m drawn to reflections; the warbling that a window provides adds so much more interest to the scene. In this photo, you are actually looking at 3 different buildings, can you see each one?

Not all buildings are architecturally interesting. But every building has aspects that can lead to an interesting photo – like this stairwell in a parking gararge! And yes, I know that these doors are not in the correct stoplight order.

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Maybe it’s just me, but seeing the Sears/Willis Tower poking out from a scene was THE Chicago moment growing up. For a few years, my family lived on the south side, and it was a contest among the siblings to see who could see the skyline, specifically the Sears Tower, first when we would drive into the city.

On a recent photo walk, I found this little “window” created by the L tracks, the incredible rusty exterior contrasting with the sky, the Willis Tower, and the Merchandise Mart. I had to hop in between traffic on 2 different occasions to get this exposure correct; the afternoon sky was quite the contrast compared with the shadowed steel. This photo is one of my Top 3 favorite recent Chicago photos.

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The simplicity of this photo is what allows the three distinct shades of blue to stand out.

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I know, I know … all that I did was turn the photo sideways, but when an architect lays out clean lines, and there’s a wonderfully warped reflection, well … that’s all that I needed to do, right?

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cz

As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.

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cz

If you start looking, the reflections of any town will provide dynamic views and photographs. I love the unfinished nature of this photo; how the angle of the foreground building gives the appearance of an unfinished canvas that drops into the negative space provided by the soft blue sky. You will find many reflections throughout my architecture photography, and I know that there will be more to come as well!

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Why, yes, I did enjoy taking photos of the Chihuly installation at the Milwaukee Art Museum. Some day, Sarah and I will make it out to Seattle to his museum…

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